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Shop Photo FramesIn the Raipatan area of Rajapur taluka, there were formerly thirteen villages: Raipatan, Yelvan, Kolvan, Dhanampe, Pachal, Karavali, Eradav, Heral, Parule, Zharye, Kurav, Kurang, Ringane, and Kondge. Now, this entire region is known as Raipatan. The temple of the awakened Vadchaiai Devi, the presiding village deity of these thirteen villages, is famous here. Due to the renown of Vadchaiai Devi as one who fulfills the vows of devotees, hundreds of pilgrims come here for darshan every day.
The legend of the temple is that in ancient times, there was a feudatory king in this region. Once, the king wished to perform a grand Yajna. For this, he sent invitations to many people and also invited all the villagers in the vicinity for a feast. The king had entrusted the responsibility of managing the meals for all these guests and villagers to his daughter-in-law. On the day of the Yajna, when the king learned from other maids that his daughter-in-law had put only one and a quarter seer of rice to cook in the pot Understanding this, he became enraged and started shouting at his daughter-in-law; however, she had firmly told the king that if she were virtuous, this much rice would suffice for everyone. The king was anxious that if the guests remained hungry, he would not receive the merit of the yajna, but to his surprise, even after everyone had eaten, there was still rice left over from that one and a quarter measure. When everyone realized this, they were convinced that the king’s daughter-in-law was not an ordinary woman but an incarnation of the Goddess. Consequently, everyone came to meet her; however, because the king had spoken very harshly to her in his anger, she went to a banyan tree outside the village and disappeared there. When the king learned of this, he felt great remorse. He had an idol made, similar to the Ambabai of Kolhapur, and installed it near this banyan tree, which is why this Goddess came to be known as Vadchaai.
Although there is no definitive record of when the Vadchai Temple was built, it is said that the temple has existed since the time the village of Raipatan was established. Over the course of time, the temple has undergone renovation many times. The temple attained its current form after the renovation carried out in 2018. The temple is situated in a spacious area in Ganganwadi, in the heart of the village. One enters the temple courtyard through an entrance in the wall built of laterite stone surrounding the temple. The temple courtyard is paved, and a beautiful garden has been developed on the sides, which further enhances the beauty of the temple. The stone-built temple, standing on a plinth approximately 3 feet high, is painted in grey and white colors. The structure of the temple consists of a Darshan Mandap (viewing hall), a Sabha Mandap (assembly hall), and a Garbhagriha (sanctum sanctorum). One enters the Sabha Mandap of the temple through an arch-like entrance in the Darshan Mandap. The Sabha Mandap is slightly higher than the Darshan Mandap. The walls and ceiling of the large Sabha Mandap here are beautifully crafted. The craftsmanship on the stone chandelier on the ceiling here appears particularly distinctive. On both sides of the entrance to the sanctum sanctorum, there is a shield with two swords mounted within it. On a pedestal inside the sanctum sanctorum stands an exquisite idol of the Goddess carved from black stone. The idol has four arms and is adorned with weapons. The open space (referred to as ‘Chaukat’ in the local dialect) situated in front of the idol is a place of judicial administration. In earlier times, justice was dispensed while standing in this space, and the decisions made here were considered final.
Three festivals, namely Narali Purnima, Navaratri, and Holi, are celebrated here on a grand scale. The Navaratri festival here is particularly unique. On the first day of the bright fortnight of Ashwin, the Ghatasthapana (installation of the sacred pot) is performed in the sanctum sanctorum. During this ritual, a small amount of soil is placed, and a pot is kept in the center. Eighteen types of grains are placed inside that pot. This is done so that farmers can get an indication of which crop to sow in the coming year. Devotees believe that the Goddess provides a sign through this, indicating that the grain which sprouts most abundantly in the pot should be sown, as it will yield a good harvest. Apart from this, during the Navaratri festival, there is a large crowd of devotees who come to offer traditional gifts of a blouse piece and a coconut to the Goddess. It is also a custom for devotees to gift a brass lamp (Samai) to the Goddess to be lit before Her during the Navaratri festival, as a gesture of gratitude upon the fulfillment of a vow made to Her.
The Holikotsav is also celebrated with great enthusiasm at the temple. On the day before Holi, as part of the Swayambhu Holi tradition, Holi pyres made of mango branches, standing four to five feet tall, are erected within the temple premises. Similar Holi pyres are also set up at the village’s old Chavhata, Ravalnath, Bhavkadevi, Ekvira Devi, and Vitthal temple. It is said that the Shete family here migrated to this village from Natoli, located above the Ghats. While migrating, they brought their family deity, Nateshwari Devi, along with them. Upon arriving here, they merged the worship of Nateshwari Devi into the form of Vadchaai Devi. Since then, the Shete family has been included among the mankaris (honorary officials) of this place.
This sacred temple stands as a testament to deep spiritual devotion, ancient architectural grandeur, and rich local cultural traditions.
The sanctum sanctorum houses the divine idol consecrated according to ancient Vedic traditions, surrounded by serene courtyards and traditional temple architecture.
Navratri, Maha Shivratri, Annual Temple Jatra & Deepotsav
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