Pavitra Aasalechi Bhavani Shree Shketr Aasale, Wai, Satara

Nestled at the foothills of Vairatgad Fort and on the banks of the Krishna River in Wai Taluka of Satara District, the ancient temple of Goddess Bhavani at Shri Kshetra Asle, set amidst a naturally abundant environment, is a revered shrine for thousands of devotees across Maharashtra. This awakened abode (Jagrut Sthan) of Goddess Bhavani, considered a manifestation of Tulja Bhavani of Tuljapur, is especially renowned among devotees. Known as the Goddess who fulfills vows (Navasala Pavnari Devi), this deity attracts large crowds of devotees for Darshan every Tuesday, Friday, and on every full moon (Purnima).

The village of Asle is situated a short distance from Pachwad on the Pachwad-Wai road. Behind this village lies the temple of Goddess Bhavani, famously known as ‘Aslechi Bhavani’. A newly constructed road from the village leads directly to the temple’s parking area, allowing vehicles to reach it easily. The older staircase path also exists, from where one can ascend approximately 80 steps to reach the temple. Devotees visiting this place hold the belief that, in order of significance, Tuljapur’s Bhavani ranks first, Asle’s Bhavani second, and the Bhavani temple on Pratapgad third. Records indicate that this temple dates back to the pre-Shivaji era. However, there is no mention of precisely when or by whom it was built before that period. According to locals, it is 700 to 800 years old.

The legend of the Asle temple recounts that when Afzal Khan’s expedition reached Maharashtra, he destroyed many famous temples, including Pandharpur, to spread terror. He proceeded, demolishing numerous temples along his path. He was accompanied by a large army. When he approached the Bhavani temple at Asle, his soldiers could see the temple; however, Afzal Khan alone perceived a mosque in place of the temple. He made all his accompanying soldiers offer Namaz in front of this temple, and thereafter, Afzal Khan proceeded to Wai. On the night preceding the day Afzal Khan and Chhatrapati Shivaji Maharaj were to meet at the foothills of Pratapgad, Goddess Bhavani appeared to Maharaj in a divine dream (Swapnadrishtant) and assured him of success in his endeavor. This greatly encouraged Chhatrapati Shivaji Maharaj. The following day, Afzal Khan and Chhatrapati Shivaji Maharaj met at the foothills of Pratapgad, and Maharaj successfully vanquished the Khan.

This temple, situated outside the village on the riverbank, is surrounded by fortifications (tatbandi) with bastions at all four corners. There is a parking area behind the temple. Although there is another entrance to the temple here, it is opened only during festivals. At other times, one must circumvent the fortifications and enter the temple premises through the entrance located near the old staircase path. The temple acquired its current form after renovations (Jirnoddhar) carried out in 1964. During these renovations, the fortifications were also repaired, beautified, and further strengthened. From the entrance within the fortifications to the temple, a corrugated sheet shed has been erected to protect devotees from sun and rain. The installation of paver blocks in the temple premises makes the area appear clean and beautiful. In front of the main temple, there is a Deepmala (lamp tower) and a Tulsi Vrindavan (sacred basil plant enclosure). On the right Deepmala stands an ancient Nandi, while near the left Deepmala is an ancient idol of Ganesha, adorned with vermilion (Shendur).

The temple’s structure comprises a Sabhamandap (assembly hall), an Antaral (vestibule), and a Garbhagriha (sanctum sanctorum). Originally, the temple consisted only of the Antaral and Garbhagriha. During the renovations, a new Sabhamandap was constructed, attached to the main temple. This Sabhamandap is spacious and extensively uses wooden pillars. Furthermore, brass bells and chandeliers are hung at various points on the wooden pillars above, making the Sabhamandap appear splendid . On both sides of the Antaral’s entrance, which is the entrance to the original temple, tiger effigies are carved, and a large Nagara (ceremonial drum) is placed there. This Nagara is played during festivals and Aarti.

The original temple is of Hemadpanti architectural style. The Antaral features stone pillars, and its walls appear adorned with intricate artistry on silver sheets. Within the Garbhagriha, on a raised platform (Chauthara), a beautiful and exquisite black stone idol of the Goddess in her Mahishasuramardini form is enshrined within a distinctive Makhar (altar). This idol stands three feet tall. This idol bears some resemblance to the idol of Goddess Bhavani on Pratapgad. Below the idol of Goddess Bhavani is a Shivling; however, there is no Nandi in front of this Shivling, but rather near the Deepmala within the temple premises. Near this Shivling is an ancient Samai (traditional oil lamp stand) approximately five feet tall. Such a Samai is rarely seen elsewhere.

During Navratrotsav, a grand festival is celebrated here for nine days. At this time, thousands of devotees come for Darshan of the Goddess. A large Yatra (pilgrimage fair) for this Goddess is held here on Chaitra Purnima. Within the temple premises, the temple committee has constructed some rooms for the accommodation of devotees and for performing ritual ceremonies during festivals.

Besides this temple, Vairatgad Fort, located on the hill behind Asle village, is also famous. This fort can be accessed from Vyazwadi, situated on the Pachwad-Wai road, and from Mhasve village, located on the Pachwad-Medha road. If one takes the Vyazwadi road, vehicles can reach the foothills of the fort; however, the path from Mhasve village is somewhat difficult. It generally takes about one and a half to two hours to ascend to the fort from its base. The summit of Vairatgad Fort is located on a rock formation approximately 16 to 17 meters high.

On the fort, there is a Maruti temple, and beside the temple, there is another idol of Maruti. Additionally, there are three lakes and four water tanks here. The water from these tanks is still used for drinking purposes today. At some distance from the lakes, there is an ancient Mahadev temple. Apart from these two temples, remnants of dilapidated buildings can be found at many places on the fort. The legend regarding the name of this fort states that after completing their 12 years of exile (Vanvas), the Pandavas had to spend one year in incognito (Adnyatvas). During that time, the Pandavas resided with King Virat, who was here, disguised. At that time, King Virat’s capital was on this fort, and the entire area at the foothills of the fort was known as ‘Virat Nagari’. From King Virat, the fort derived its name, Vairatgad. According to historical records, the fortifications on the fort and some of its structures were built by Bhojraj II of Kolhapur, belonging to the Shilahar dynasty, around 1178 to 1193 AD.

Sacred History & Spiritual Significance

This sacred temple stands as a testament to deep spiritual devotion, ancient architectural grandeur, and rich local cultural traditions.

Temple Sanctum & Architecture

The sanctum sanctorum houses the divine idol consecrated according to ancient Vedic traditions, surrounded by serene courtyards and traditional temple architecture.

Sacred Darshan Gallery